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These paintings are explorations of the skin's surface. Painting strategies
blur surface and subsurface
by juxtaposing abstraction and direct observation. Layers of visual information
compound the visceral
experience of the body's typography into one of imaging, scientific observation,
and observational articulation.
The body becomes landscape, abstract mark, concrete image and microscopic investigation
interpreted through
both an attempted specificity and abstraction. Prodding notions about identity,
individuality, and beauty, the
work maintains the place between identifiable corporality and a grotesque physicality.
